Falon Mihalic artWork available
To inquire about available paintings and sculptures, please email manager@falonland.com Thank you.
View from my painting studio, January 2026
To inquire about available paintings and sculptures, please email manager@falonland.com Thank you.
View from my painting studio, January 2026
Handmade ceramic sculpture, winner of the “Best Sculpture” Award in the Clay Houston group exhibition in 2023. It has also been exhibited in the Miami Florida Ceramics exhibition at the Lighthouse Arts Center in 2024.
This piece is colored porcelain and glaze with a gestural scraped texture that I make by combing and scraping very soft colored porcelain clay onto a porcelain form. The piece is approximately 17” inches in diameter at the base and tapers some up to a height of 14”.
My ceramic pieces are handbuilt using slab and coil methods. I make the colored porcelain using inclusion stains with the slow method of making a stained porcelain slip (a very liquid clay), and then drying it out on plaster bats, then wedging it into a workable consistency. Sometimes I use a slab roller to roll large slabs, or I roll small slabs with a tapered rolling pin and the “pizza toss” method. I like sharing these process details so that you can imagine me working on the piece in the studio. Countless hours go into the process of creating, and the sculpture holds the movements of my hands and the care and intention of making.
original work on cut panel
Piece can be hung using D rings or titled on a shelf as shown (shelf not included)
mixed media, 15”x 10”, panel depth 3/4”
Price includes shipping nationally within the United States
Work produced for my solo show at Dillon Kyle Architects, the Deeper the Blue Becomes. Artistic Statement:
“The deeper the blue becomes, the more strongly it calls me toward the infinite.”--- Kandinsky
Painting is a manipulation of light. I’m drawn to the BIV portion of the ROYGBIV visible light spectrum. I’m certainly not the first to see blue as a color that possesses magical powers. (Read Indigo Mind by Oliver Sacks or visit the contemporary wing of the Menil to glimpse Yves Klein’s blue pigment sculptures). PB27 is the pure pigment code for what we call ultramarine blue. I’ve used PB27 in every painting in the show. Each piece is meant to play with how we perceive the magical powers of blue, how it behaves adjacent to other colors, and how it oscillates between emitting light and absorbing it.
original work on cut panel
Piece can be hung using D rings or titled on a shelf as shown (shelf not included)
mixed media, 32” x 15” panel depth 3/4”
Price includes shipping nationally within the United States
Work produced for my solo show at Dillon Kyle Architects, the Deeper the Blue Becomes. Artistic Statement:
“The deeper the blue becomes, the more strongly it calls me toward the infinite.”--- Kandinsky
Painting is a manipulation of light. I’m drawn to the BIV portion of the ROYGBIV visible light spectrum. I’m certainly not the first to see blue as a color that possesses magical powers. (Read Indigo Mind by Oliver Sacks or visit the contemporary wing of the Menil to glimpse Yves Klein’s blue pigment sculptures). PB27 is the pure pigment code for what we call ultramarine blue. I’ve used PB27 in every painting in the show. Each piece is meant to play with how we perceive the magical powers of blue, how it behaves adjacent to other colors, and how it oscillates between emitting light and absorbing it.
original work on cut panel
Piece can be hung using D rings or titled on a shelf as shown (shelf not included)
mixed media, 24” x 48” panel depth 3/4”
Price includes shipping nationally within the United States
Work produced for my solo show at Dillon Kyle Architects, the Deeper the Blue Becomes. Artistic Statement:
“The deeper the blue becomes, the more strongly it calls me toward the infinite.”--- Kandinsky
Painting is a manipulation of light. I’m drawn to the BIV portion of the ROYGBIV visible light spectrum. I’m certainly not the first to see blue as a color that possesses magical powers. (Read Indigo Mind by Oliver Sacks or visit the contemporary wing of the Menil to glimpse Yves Klein’s blue pigment sculptures). PB27 is the pure pigment code for what we call ultramarine blue. I’ve used PB27 in every painting in the show. Each piece is meant to play with how we perceive the magical powers of blue, how it behaves adjacent to other colors, and how it oscillates between emitting light and absorbing it.
